Miłosz Kędra creates music for synthetic, electroacoustic and self-built instruments, searching for unconventional timbres, tunings and textures. The pipe organ occupies a central place in his practice — removed from the church setting and subjected to electronic transformations, preparations and changes of tuning.

While studying electroacoustic composition, Kędra built his own organ using metal and wooden pipes taken from old instruments from the Wielkopolska region. His debut EP For Aeons and the album their internal diapasons present the organ not as a monumental symbol, but as a physical mechanism: a source of breaths, noise, drones, unstable intervals and raw, almost material sounds.