Tania Daniel is a DJ, producer, composer, and designer born and raised in Montreal. Since 2017, they have been working as a freelance artist, creating works in various fields of art, including experimental sound pieces, sculptures, textiles, and ritual performances.

Tati au Miel creates music based on their own visions, drawing inspiration from artists like Moor Mother, Crystallmess, Dreamcrusher, Merzbow, Keiji Haino, and Klein. They move within the legacy of sonic iconoclasts such as Bobby Beethoven and Juliana Huxtable, breaking rules, destroying dance floors, and mesmerizing audiences – while paying homage to the communities that inspire their work. Their compositions feature influences from Aphex Twin and Hyperdub, as well as the melancholic lines of “The Waxen Pith” and “Stolen Kiss of a Succubus” by Fatima Al Qadiri. Indeed, their music is a surreal blend of many influences.

For Tati au Miel, the creative process is one of cacophony and catharsis. “Exorcism has an often negative connotation” – they explain – “I wanted to see it as a positive and spiritual rebirth”.

They recently released the “Carousel EP” on Halcyon Veil, preceded by six independent productions. Their works have been showcased at festivals such as Mutek (Montreal), Sonic Arts (Amsterdam), Dweller (New York), and in galleries like Kurimanzutto (Mexico City), Auto Italia (London), and Human Resources (Los Angeles).

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