Rave extravagance based on an collision of club esthetics and the culture of waste. The essence of the information noise, smell of hot tarmac and a brutal charm of a late, weekend evening.

After dub-hop explorations of Syny - reduction to a minimum based on minor post hip-hop; emotionally penetrating areas of urban neuroses and deviations, journeys into agglomerative melancholies, discreet searches for the future.

Return of a yass legend: the destruction of the jazz formula with intense interventions of psychedelic rock, occasional interjections of musique concrète, and a fertile collision of professionalism and enthusiasm.

Collage-style mastery of industrial-dance noise with a status of a classic. Mashup cuts, rainbow-colored esthetics of decay - a suitable backdrop for partying.

Offensive of an audio performance: noise rock firepower at its best, thick texture, resonance, sample and an atmosphere of conflict/danger - terror-rock of violent times. During AAF the group will perform with Mats Gustafsson (Fire!, The Thing, etc.) himself.

Dean Blunt’s new project in a duet with DJ Escrow: in its form closer to (post?) hip-hop, intellectually still in the discrete realm of intimate and exploring chamber music.

Remembered from his performance during AAF 2015, this legend of UK-grime is back: masterful MC-ing skills inspired by battle sensibilities of bad neighborhoods.

Re-construction of the Rock in Opposition / no wave / punk-funk esthetics filtered through a punk sensibility in a progressive rendition; a strong in effect distillate of post-reduction melodies, precision and convulsions.

The classic Austrian trio will perform at AAF for the second time: precise, half-synthetic repetitions on the verge of post-rock and a distinctive art rock reduction: complicated machinery’s tender heart with a steady beat.

Known through his work with Fennesz, Sunn O))), Otomo Yoshihide (AAF 2010) and Keiji Haino (AAF 2014, 2016), an accomplished experimentator who moves and transforms himself between the paths trodden by minimalism, improvisation, contemporary electronics and the physicality of rock music.

Justin Broadrick (known for participation in cult projects like Godflesh, Techno Animal, Ice, Jesu etc.) showing his technoidal side. Electronics of a housing estate; a concrete charm of an underpass, the qualities of a neighborhood with a bad reputation, an atmosphere of fear and direct physical danger.