A synergy of organic vocal improvisations with beat-based and experimental electronics, conjoined with elements of contemporary music; ambiental spaces, chiselled sound, postindustrial textures, plus an influence of antique horror movies and chamber music.

Hans-Joachim Irmler (Faust) and Jaki Liebezeit (Can) in another sequel of their cosmic journey: a collision of buzzes and scrapings of prepared organ with percussion, with the minimum of means involved, creates almost symphonic results. Noises of alien mechanisms, mechanical drones, loops of broken melodies - sunspot music.

A peaceful coexistence of an extreme variety of popular music aesthetics, condensed in a dark melancholy of this British postmodernist. Chamber pop, post-hiphop beats, elements of folk-rock, dub, americana, flourish here in a harmonious rhizome.

Operating from Berlin, musician/DJ/producer, synthetically revealing in his sonic presentations a plethora of influences: musique concrete, minimal-wave, punkrock's most extreme forms, noise, free-jazz and the output of African artists. An intensive and highly educative party awaits us!

A surprising sonic conglomerate, generated by Tomasz Budzyński, Michał Jacaszek and Mikołaj Trzaska.

Ragga-inspired grime on a warpath - a fresh, hearty voice of the city's dark alleys. Hypnotic flow and street rage aesthetics.

Sine waves, buzzes and (not always regular) beats give a top class dub-techno as a result. Known for his appearances alongside Moritz von Oswald Trio, Kode 9 and Mikkel Metal, Mateusz Wysocki confronts in his artistic work a rhythmic and precise mechanics with contemplative, illustrative backing tracks. Hypnotic, trance-inducing, robotic fantasies.

A blinding return of the Warsaw ensemble, combining extreme forms of deathmetal, so called industrial, and contemporary music: unprecedented formula, a record of the highest psychosomatic tensions.

Psychedelic-cosmic emanations of this trance-inducing collective, personally connected with Stara Rzeka, Innercity Ensemble, Jachna/Buhl, T'ien Lai, Hati.

A vibrant inspiration by industrial music classics and a dense texture of dirty techno recalling such artists as Regis or Surgeon. Postindustrial manoeuvres between ambient structure and trephinatory beat.

A postmodern synthesis of hip-hop/club beats, postindustrial marks, IDM tricks, and a powerful bass on an ambiental-cinematic foundation: informational buzz of the cynical postindustrial era.

What's most important in classic techno and Detroit sound, keeping the necessary doses of danceability and experimentation intact. The influence of contemporary music and techno's latest achievements give a consistent fusion of automatics and sonic ventures.

An audiovisual cooperation of students from Wrocław, with the use of purpose-built generative systems, spatial sound, and unique soud- and vision processing technology: a synthesis of experiences coming from media art, musical composition, and information technology.

Psychedelic, dubbed, and sincere tribute to streetwise hip-hop, an active ferment, and current narrations. Filtered through psychedelic lens, heavy, cinematic-hypnagogic agglomeration.

Synthy, retrofuturitistic dada-horror from across the western border. Sci-fi electro pop and tetchy apokalipsis-disco serving to deconstruct musical paradigms.

Classically prepared musicians and a composer serving the mechanical precision: an impact of teutonic accuracy and organic instrumentation. "Symphonic electro" or, as the very creators call it, "emotional body music".