What's most important in classic techno and Detroit sound, keeping the necessary doses of danceability and experimentation intact. The influence of contemporary music and techno's latest achievements give a consistent fusion of automatics and sonic ventures.

A postmodern synthesis of hip-hop/club beats, postindustrial marks, IDM tricks, and a powerful bass on an ambiental-cinematic foundation: informational buzz of the cynical postindustrial era.

A peaceful coexistence of an extreme variety of popular music aesthetics, condensed in a dark melancholy of this British postmodernist. Chamber pop, post-hiphop beats, elements of folk-rock, dub, americana, flourish here in a harmonious rhizome.

A blinding return of the Warsaw ensemble, combining extreme forms of deathmetal, so called industrial, and contemporary music: unprecedented formula, a record of the highest psychosomatic tensions.

An audiovisual cooperation of students from Wrocław, with the use of purpose-built generative systems, spatial sound, and unique soud- and vision processing technology: a synthesis of experiences coming from media art, musical composition, and information technology.

Psychedelic-cosmic emanations of this trance-inducing collective, personally connected with Stara Rzeka, Innercity Ensemble, Jachna/Buhl, T'ien Lai, Hati.

A synergy of organic vocal improvisations with beat-based and experimental electronics, conjoined with elements of contemporary music; ambiental spaces, chiselled sound, postindustrial textures, plus an influence of antique horror movies and chamber music.

Classically prepared musicians and a composer serving the mechanical precision: an impact of teutonic accuracy and organic instrumentation. "Symphonic electro" or, as the very creators call it, "emotional body music".

A vibrant inspiration by industrial music classics and a dense texture of dirty techno recalling such artists as Regis or Surgeon. Postindustrial manoeuvres between ambient structure and trephinatory beat.

Hans-Joachim Irmler (Faust) and Jaki Liebezeit (Can) in another sequel of their cosmic journey: a collision of buzzes and scrapings of prepared organ with percussion, with the minimum of means involved, creates almost symphonic results. Noises of alien mechanisms, mechanical drones, loops of broken melodies - sunspot music.

Synthy, retrofuturitistic dada-horror from across the western border. Sci-fi electro pop and tetchy apokalipsis-disco serving to deconstruct musical paradigms.

A surprising sonic conglomerate, generated by Tomasz Budzyński, Michał Jacaszek and Mikołaj Trzaska.

Sine waves, buzzes and (not always regular) beats give a top class dub-techno as a result. Known for his appearances alongside Moritz von Oswald Trio, Kode 9 and Mikkel Metal, Mateusz Wysocki confronts in his artistic work a rhythmic and precise mechanics with contemplative, illustrative backing tracks. Hypnotic, trance-inducing, robotic fantasies.

Psychedelic, dubbed, and sincere tribute to streetwise hip-hop, an active ferment, and current narrations. Filtered through psychedelic lens, heavy, cinematic-hypnagogic agglomeration.

Ragga-inspired grime on a warpath - a fresh, hearty voice of the city's dark alleys. Hypnotic flow and street rage aesthetics.

Operating from Berlin, musician/DJ/producer, synthetically revealing in his sonic presentations a plethora of influences: musique concrete, minimal-wave, punkrock's most extreme forms, noise, free-jazz and the output of African artists. An intensive and highly educative party awaits us!